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acoustic tenorsaxophone, violin


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . foto orig & c by Enrica Di Gangi








M. A. D.
Alessandro Vicard: a-bass
Didi Kern: drums
M.F.: t-saxophone, violin, voice
with Peter Koger
at Moozak Festival Vienna 2012




PINTO / FISCHER

Joao Castro Pinto: soundscapses, live processing
M.F. : t-saxophone, voice
at interpenetration festival Graz 2012





M J M
John Edwards: a-bass
Marc Sanders: drums
M.F. : t-saxophone, violin, voice
at Festival Internacional de Improvisación Madrid 2012





pool
Agnes Heginger: vocals
Thomas Stempkowski: bass
Wolfgang Reisinger: drums
M.F. : t-saxophone, violin, voice
at Alte Schmiede Vienna 2010


 

Graduating in Jazzsaxophone in 1990 Michael Fischer started to develop an individual practice method, researching on chords and rhythm connected to extended jazz harmony. Mid of the 90ies he broke all down, starting with a new concept: combining one note to the other in intervals creating structures up to six notes. Practicing these scales/chords using the symmetrical subdivision of the saxophone connecting this with the application of all possible duration combinations from 1/16 triads to half notes - the result was an enlightning research for some additional years. In 1997 Michael turned to improvised music only, his focus went purposely to the idea that each sound as well as moments of silence require a particular environment and moment in the process to become clear and perceptable in its details...